Speak what you think today in hard words and tomorrow speak what you think in hard words again, though it contradict everything you said today.
Ralph Waldo Emerson, Self-Reliance
Out for a walk and I realize that everything I know to be fact, through careful scientific observation, has been told to me. The things that I assume to be true, through my own experiences and observations, are but a myth.
I only want to write on an empty stomach, so to feel the urgency of hunger. I will sit with only five minutes left on the clock and write ceaselessly to see what it is that’s important to me. To know the pains clearly. To feel the heart beating.
To be able to write poetry successfully I have to do two things: give in to the experience. And give up assigning value to words; stay true to the story; give in to the music within the word. By giving in to the experience of course I mean the experience that gives rise to poetry, which is, of course, a poem in and of itself. I can write a poem about an experience while I’m living the experience, but I can far better write the poem, later, (or perhaps write a far better poem) if I’ve fully invested in the experience.
Falling and flailing, it seems wildly, but, in fact its what we’re programmed to do when we’re falling. I can feel the jet streams taking me, not unlike a leaf. I was in the clouds, but now I’m falling and the mantra in my head: trust the ground. This happens every time I’m falling like this. And just when it feels like I’ll be falling forever the ground reaches out and takes me from the air. Like getting smacked in the back of the head. I am absorbed into her, I am her, and then filtered through her. This is when the ground becomes the clouds and I’m dangling with my head in my new set of clouds, waiting to fall again.
travelers stand next to 9-5’ers who line the sidewalk, street-side no parking ’til 9 a.m. Music thunders out of the caffè. One couple chats while they wait, everyone else has noses in screens; trying not to be seen; the starlings flutter near the curb. One brave soul, tempted and cautious, hops under the two-person table to steal a crumb. The homeless man, with matted brown ribbons of hair shuffles down the line audaciously looking, or trying to look, the patrons in the eye. From somewhere inside a name is shouted over the music out onto the street, but no one lifts their head. And the homeless man keeps shuffling down the street, empty handed.