On Poetry (again)

To be able to write poetry successfully I have to do two things: give in to the experience. And give up assigning value to words; stay true to the story; give in to the music within the word. By giving in to the experience of course I mean the experience that gives rise to poetry, which is, of course, a poem in and of itself. I can write a poem about an experience while I’m living the experience, but I can far better write the poem, later, (or perhaps write a far better poem) if I’ve fully invested in the experience.

Silent Nights

He’s a fugitive walking through the neighborhood. Trapped in the town he’s running from. Choruses of frothing loam biting at his ankles.  

On those silent nights clouds pass by mob-like and at sunset they are pitchforks and torches. But at night, under moonlight; a weighted down hatchback packed to the brim.

Anticipating the getaway is all he has left. Every secret scratched and peeled by the wind, like the one that goes; maybe the dogs love is the only love I ever knew. Poof. Through the trees. 

Thoughts In Your Morning Cereal

Casting thoughts of the future like searchlights           
this is worship.
The halo of attention sits atop storms of desolate mindscapes    
like little bloated O’s floated in bath scum. 

Frosted CRISPR Cas13’s deployed 
in your morning cereal. Dad says to eat up.

Viruses create havoc— an attempt to take control of the host.
Then ooze blob-like out of the light of attention before turning
into dark smokey shadow to regain the high ground.

With this my daily bread i shall take to infirm the wretched—
part of a complete breakfast!


halos shoot arrows with razor blade precision
germ warfare has been declared. But it’s Dad’s war, and didn’t 
he also say not to fight in other people’s wars?
NOW WITH SPECIAL CHOCOLATEY CASING!

Snip the disease of our humanity
until we are no longer human. 
Now we started a war
that we can’t win.

falling

Falling and flailing, it seems wildly, but, in fact its what we’re programmed to do when we’re falling. I can feel the jet streams taking me, not unlike a leaf. I was in the clouds, but now I’m falling and the mantra in my head: trust the ground. This happens every time I’m falling like this. And just when it feels like I’ll be falling forever the ground reaches out and takes me from the air. Like getting smacked in the back of the head. I am absorbed into her, I am her, and then filtered through her. This is when the ground becomes the clouds and I’m dangling with my head in my new set of clouds, waiting to fall again.

Always Love

there’s always love available. our job is to find it. when we are stuck looking for where its not we won’t find it. only when we commit ourselves to finding the love that’s available, even in impossible situations, will we be able to find it.

Some trees are already bare, and the leaves that remain, may well remain until next year. When a breeze ripples the giant sequoias, they whisper to each other the lost ancient name of loss and pain
—My love, are you awake?

and the dog down the street sounds the trumpet, and the oboe in the moon soaked starless sky whirs from far to near to far

The Scene at Caffè Lieto (biscuit bitch)

travelers stand next to 9-5’ers who line the sidewalk, street-side no parking ’til 9 a.m. Music thunders out of the caffè. One couple chats while they wait, everyone else has noses in screens; trying not to be seen; the starlings flutter near the curb. One brave soul, tempted and cautious, hops under the two-person table to steal a crumb. The homeless man, with matted brown ribbons of hair shuffles down the line audaciously looking, or trying to look, the patrons in the eye. From somewhere inside a name is shouted over the music out onto the street, but no one lifts their head. And the homeless man keeps shuffling down the street, empty handed.